Tuesday, March 15, 2011

Dawn Tied Up By Team Rocket

Yo-Yo in Florence and exit at Reggio Emilia

After a very long we are planning, at 06:30 on Friday 11 March 2001 outside the headquarters ready to leave for the "winter camp" alternative to scout this year.
As usual missing Raphael, the organizer .... 'll pick the house. Eva meanwhile lost her new nose stud (amazing the hole closes in just 10 minutes ...)
At the end we start with the van of the Chamber, led by Roger and Richard's car. We
11, Batman will join us directly in Florence.
Around 11 we are in Florence near the Guest House of the Section of Florence, which opens the Julius arrives home, he explains a bit how it works and we wish you a pleasant stay.
A patrol party to do the shopping, while others are arranged in the rooms and preparing tables and benches for eating.
After lunch, take bus number 14 and we go downtown.
visit Piazza del Duomo, the cathedral of Santa Maria del Fiore, Giotto's bell tower and admire the Baptistery of San Giovanni.
A walk and arrive in Piazza della Signoria where we expect the Neptune fountain, the statue of David by Michelangelo, of Hercules and Caco. Michelozzo visit the courtyard of the Palazzo Vecchio and the Loggia della Signoria.
Let's take a look at the Ponte Vecchio and from the boys who train at the rowing rowing anchored to the shore.
Let's appointment with Manuel (who arrives from Seville) in Piazza Santa Maria Novella, where we admire the splendid facade of the Basilica and an unlikely model you are getting a photo shoot.
Recall the bus that takes us back to the guesthouse. We arrived there a partiton to Munchkin and then have dinner. Four songs and then it's time for a little spirituality. We do the work of the Mirror and is now going to sleep.
The next day we got up early, breakfast and again toward the center to visit the Piazza Santa Croce. Here we are divided into two rounds, a visit to the Basilica of Santa Croce and go to the Synagogue (closed because of Saturday).
Ritrovatici we start to Piazzale Michelangelo to watch the magnificent panorama of Florence. After lunch we climb again towards the Basilica di San Miniato al Monte, where we visit the beautiful church.
back down to Ponte Vecchio and then we head to the Basilica of San Lorenzo (which are closed). At this point, with swollen feet we head back toward home, where after the cost of preparing a tasty barbecue. Other partiton to Munchkin and the day ends.
Sunday morning rearrange the guesthouse and we move to Reggio Emilia to visit Museo del Tricolore. The city center is beautifully decorated with lots of Italian flags of all ages, shame about the rain that does not allow us to enjoy a visit to the city center. arrive in Piazza Prampolini and we go to visit this interesting exhibition on the Tricolour. After the visit we walk in the rain to Victory Square and then the long ride back to the media where we have lunch. We bring Elena station (goes to Ferrara) and head back home where we arrived at 17 o'clock.
E 'was a great experience different from the usual winter camp. Here some photos
HOOA!

Friday, March 11, 2011

What Are The Best Wax Strips To Use On Gentials

GIORGIONE a different reading

GIORGIONE: a different reading

Friday, March 25 at 20:45

c / o Quarter "Two Mills "
Via Marsala 1 / Castelfranco Veneto

cultural journalist ANGELO Miatello will guide us through a different reading of the Artist castellano.

What is the real name of Giorgio da Castelfranco
or the exact date of Shovel, or the meaning of certain parts of the work more reliable? Who were the
Costanzo da Messina? The artist of the '500 is equal to the artist today? There are substantial differences or speak the same energy that makes the release unpublished work? Who knows and re gives the imprimatur? The chorus of voices stating that this is an "artist" is not us but someone always before us.
So to build between large we always want a "signature" (for all see Vasari).
Del Giorgione, as the Sheakspeare, little is known but much is written. Perhaps never existed as Homer but Troy did.
Its not prolific artistic output makes it vulnerable, more sublimated interests of various lobbies (the collecting, publishing, rhetoric, and all that goes behind it) or by true scientific reasoning, as demonstrated last Quinto Centenario.


Angelo Miatello